Tanqueray Gin & The Station Agency

Can you be a gin photography specialist?

Why not, say I.

Three shoots for 3 different gin labels at the end of 2017 should prove the point beyond doubt. We spent 3 fine days in a green-out in studio creating a suite of classic bottle and liquid images & motion pieces for The Station Agency and their clients at Tanqueray.

 

Beautifully crafted in post by the team at Cream Electric Art.

James Boags & Host Sydney

What a fine way to see out 2017! A few days out from Christmas last year we took an unnecessarily large supply of James Boags’ finest down to a little stream, plopped one in the water and pressed the big button on the top of the camera. Then we drank the rest.

Some days later the team at Cream ElectricArt carefully polished the black & white look and feel, then we drank some more, just to be sure!

Treasury Wines & JWT

Late last year (with a little help from retoucher Aaron Foster) we made a Rose bottle float in mid air and liquid pour out of it down a floating ice staircase for treasury Wines and JWT Melbourne. And, if pink is not your thing, it also comes in a lovely shade of pale  green.A'tivo_White Bottle Ad Final

QANTAS & BWM Sydney

We had a grand time doing a little road trip around some of the finer parts of NSW at the end of last year for a collaboration between QANTAS and Destination NSW through BWM Sydney. Ably produced as always by Louis & Co., and finely crafted on the post production side by Mr. Ian Connor of the Visual Estate.

Qantas Seats_HunterQantas Seats_SydBus

Bombay Sapphire & Clemenger BBDO Sydney

So how do you get the perfect piece of orange/lemon/lime peel to float gracefully, defying gravity and twirl like a beautiful piece of ribbon behind a bottle of gin? An ordinate amount of expletive filled hours, very strong instant setting glue that apparently can adhere to your eyeball, and fishing line, lots of fishing line, that’s how.

Thankfully the wise people from Bombay Sapphire were patient enough to stand at a safe distance while Food Stylist Ben Masters and our team went on this multi-shot odyssey. And, equally appreciated is the deft hand applied to the post production work by Clems team, fine work indeed.

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